Alleti, Vince. Special Collections. The Village Voice, 18 August 1992;

Blanchette, Manon. A Work by Arnaud Maggs. Le Journal du Musee d'art contemporain de Montreal, (November/December 1990);

C.A. Arnaud Maggs: La recherche d’Arget. Connaissance des Arts. No.557, November 2000;

Campbell, James D. Arnaud Maggs at Centre Saidye Bronfman and at Chapelle historique du Bon-Pasteur, Montreal. C Magazine (Spring 1991);

Dault, Gary Michael. The Narrative and its Double. C Magazine, (Summer 1989);

_______. Fearful Symmetry. Canadian Art, (Spring 1985);

_______. Making an art of documentation. The Globe and Mail, 13 September 1997;

Delavaud, Gilles. Arnaud Maggs et ses Modeles. Cahiers du Cinema, 1981;

Fleming, Martha. Arnaud Maggs Downwind Images. Afterimage, 1982;

Franchette, Frédérique. Double foyer pour Atget. Liberation, 19 December, 2000;

Goldberg, Vicki. Seven Thousand Pictures are Better than One. The New York Times, 23 August 1992;

Gutsche, Clara. Arnaud Maggs at Optica. Vanguard (December 1983);

Hobbs, Peter. Arnaud Maggs; Susan Hobbs Gallery. C Magazine, (Fall 1994)p.61;

Johnson, Eve. Repeating but not Repetitive. Vancouver Sun, 7 January 1984;

Keziere, Russell. Arnaud Maggs: Convergence Without Coincidence. CV Photo #39, Summer 1997;

Lebredt, Gordon. Arnaud Maggs at YYZ. Parachute, 54(1989);

Macwilliam, David. Arnaud Maggs at YYZ. Vanguard, (December 1979);

Maclear, Kyo. Arnaud Maggs. Toronto Life, April 1999;

Mays, John Bentley. The Many Faces of Maggs. The Globe and Mail, 18 January 1986;

_______. Arnaud Maggs: Photographs at the Isaacs Gallery. The Globe and Mail, 13 June 1985;

_______. Some Photographs Never Lose Their Power. The Globe and Mail, 12 March 1993;

Osborne, Catherine. With Variations. Canadian Art, Summer 1999;

Penaloza, Sisi. Arnaud Maggs’ grids get the big picture. NOW Magazine, 15-21 April 1999;

Sramek, Peter. Seeing People/Seeing Space. British Journal of Photography, 18 May 1984;

Taylor, Kate. 48 Views of Northrop Frye. The Globe and Mail, 8 March 1991;

_______. Similar means, vastly different ends. The Globe and Mail, 18 May 1994;

_______. Tags and Letters. Canadian Art, (Winter 1996) vol.13, no.4, p.34-37;

Thomas, Ann. Seven Canadian Photographers. Artscanada (May-June 1977);

Tousley, Nancy. Photographers Interpret Appearances of People. The Calgary Herald, 10 June 1982;

Whyte, Murray. Arnaud Maggs. The National Post, 16 April 1999;

Allen, Karyn. Arnaud Maggs Photographs 1975-84. Calgary: Nickle Arts Museum, 1984;

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Davies, Sue. Seeing People/Seeing Space. London, England: The Photographers' Gallery, 1984;

Ewing, William E. Allocations. New York: 49th Parallel, 1984;

Ferguson, Bruce. Hotel. Toronto/Vancouver: Art Metropole/Presentation House, 1993;

Holubizky, Ihor. Numbering. Hamilton: Art Gallery of Hamilton, 1990;

Jenkner, Ingrid. Arnaud Maggs Numberworks. Guelph: Macdonald Stewart Art Centre, 1989;

Lindberg, E. Theodore. Arnaud Maggs, An Exhibition of Selected Works 1981-83. Vancouver: The Charles H. Scott Gallery, Emily Carr College of Art and Design, 1984;

Macwilliam, David. Arnaud Maggs. Paris: Centre Culturel Canadien, 1980;

Monk, Philip. Picturing the Toronto Art Community. Toronto: The Power Plant, 1998;

________. and Sutnik, Maia-Mari. Arnaud Maggs: Works 1976-1999. Toronto: The Power Plant, 1999;

Roegiers, Patrick. double vie, double vue. Paris: Fondation Cartier pour l'art contemporain, 1996;

Stainback, Charles. Special Collections: The Photographic Order from Pop to Now. New York: International Center of Photography, 1992;

Sutnik, Maia-Mari. Responding to Photography. Toronto: Art Gallery of Ontario, 1984;

Walsh, George. Contemporary Photographers. London, England: St. James Press, 1981.