Periodicals   Baqué, Dominique. savoir, retenir et fixer ce qui est sublime... Art Press, March 1995;   Bouruet, Véronique. La Mort. Beaux Arts Magazine, no.99; Carr-Harris, Ian. The Art of Travel - Forever engaged in the 'there' beyond the 'here'. Canadian Art, Fall 2001; Collyer, Robin. Artist Project: Transformer Houses. Cabinet, issue 21, Spring 2006;   Dagen, Philippe. La Mort. Le Monde, 31 October 1999;   Dault, Gary Michael. Robin Collyer and Kim Adams: Enigmatic Objects of Desire. Vanguard, XV:1(February/March 1986)38-40;   ______. Block Party. The Globe and Mail, 27 May 2000; ______. Cooped up in the kennel. The Globe and Mail, 6 July 2002; ______. There's a message to his madness. The Globe and Mail, 14 January 2006; Demkiw, Janis. News from Nowhere. C Magazine, issue #88, Winter 2005;   Feinstein, Roni. Report from Toronto: Opening Doors. Art in America, no.11(November 1994)38-47;   Fry, Philip. Robin Collyer: Event, Description, Narrative. Parachute, 20(Autumn 1980)36-45;   Gale, Peggy. Aurora Borealis. Canadian Art, II:4(December 1985)80,90-92;   Glavin, Eric. The austere appeal of The Zulu. The National Post, 20 February 1999; Goddard, Peter. Ghosts in the urban machine. The Toronto Star, 24 December 2005;   Gopnik, Blake. Charting new paths to contemporary treasures. The Globe and Mail, 7 November 1998;   _______. An artist with his feet planted firmly on the ground. The Globe and Mail, 13 May 1999;   Grenville, Bruce. Robin Collyer at Agnes Etherington Art Centre. Parachute, 28(September-November 1982)39-40;   ______. Object and Reference. Parachute, 43(June-August 1986)33-34;   Grout, Catherine. The McCain Family Commission. CV photo, #54, Spring 2001;   Hermange, Emmanuel. Thomas Demand and Robin Collyer. pour Voir, November 2000;   Horne, Stephen. Robin Collyer at Canadian Museum of Contemporary Photography. Art Press, #256, 2000;   Jennings, Sarah. Who are the artists to Watch? ArtNews, May 1993; Jordan, Betty Ann. Robin Collyer's suburban esthetics. The Globe and Mail, 4 January 1997; ______. Robin Collyer. Toronto Life, January 2006)111; Klepac, Walter. The Collyer Effect. Canadian Art, 9:4(Winter 1992): 46-51;   Madill, Shirley. The Twilight of the Real: the Photographs of Robin Collyer. Prefix Photo, #3, May 2001; Mays, John Bentley. Life in the stressed lane. The Globe and Mail, 30 January 1993; Milroy, Sarah. Not just another pile of laundry. The Globe and Mail, 24 July 2007; Monk, Philip. Robin Collyer, Carmen Lamanna Gallery. Artforum, XX:7(March 1982)77; ______. Colony, Commodity and Copyright Reference and Self Reference in Canadian Art. Vanguard, XII:5/6 (Summer 1983) 14-17; ______. Meaning and Comparing: Robin Collyer. Vanguard, XII:1(February 1983)13-16; Nasgaard, Roald. Boucherville, Montreal, Toronto, London 1973. Artscanada, XXX:4, 182/183(October 1973)82-85; Princenthal, Nancy. Seven Toronto Artists, Artists Space. Artforum, XIX:1(September 1980)73; Rambert, Francis. Le paysage, objet de tous les regards. Le Figaro, 15 September 1998; Rhodes, Rick. Running on Empty. C Magazine, 8(Winter 1985)40-41; ______. From Object to Reference. Vanguard, XII:7(September 1983)49; ______. Robin Collyer, Carmen Lamanna Gallery. Artforum, Summer 1988; Town, Elke. Influencing Machines. Parachute, 36(September-November 1984)58-60; Whyte, Murray. The Medium minus the Message. The National Post, 16 February 2000;   Exhibition Catalogues and Books   Ammann, Jean-Christophe. Kanadische Kunstler. Basel, Switzerland: Kunsthalle Basel, 1978; Bajac, Quentin and Chéroux, Clément. ed. Collection Photographs: Centre Pompidou. Paris: Editions du Centre Pompidou/Steidl, 2007;   Baqué, Dominique. La Photographie Plasticienne. Paris: Editions du Regard, 1998; _____. Identifications d’une Ville. Paris: Editions du Regard, 2006; Christie, Claire. Remaking the Real. Toronto: Susan Hobbs Gallery, 2007; Elfving, Taru and Kurth, Johanna. Contemporary Visions: Photographs and Videos from the Collection of Helga de Alvear. Turku, Finland: Waino Aaltonen Museum of Art, 2004;   Fry, Philip. Robin Collyer. Kingston: Agnes Etherington Art Centre, 1982; Gosselin, Claude, et al. Les 20 ans du CIAC. Montréal: Centre internartional d'art contemporain de Montréal, 2004;   Grenville, Bruce. Active Surplus: The Economy of the Object. Toronto: The Power Plant, 1987;   Grout, Katherine and Monk, Philip. Robin Collyer Photographs. Toronto: Art Gallery of York University, 2000;   Kleyn, Robert. Crossroads. Toronto: Art Gallery of York University, 1991;   Lagayette, Phillipe; et. al. Photographie d’une collection. Paris: Hazan/Caisse des dépôts et consignations, 1997;   Mau, Bruce. Lifestyle. London: Phaidon, 2000;   Monk Philip. Robin Collyer. in Documenta 8. Kassel, Germany: 1987;   ______. Photographic Inscription: Kunst aus Toronto. Stuttgart, Germany: Institut fuer Auslandsbezeihungen, 1990; ______. Carambolage. Baden Baden, Germany: Staatliche Kunsthalle Baden Baden, 1992; ______. Robin Collyer: Idioms of Resistance. Toronto: Art Gallery of Ontario, 1993; Nemiroff, Diana. Canadian Biennial of Contemporary Art. Ottawa: National Gallery of Canada, 1989; Newlands, Anne. Canadian Art: From its Beginnings to 2000. Toronto: Firefly Books, 2000; Parent, Sylvie, et al. La photographie et les technologies numeriques: une association creative, feintes_ doutes + fictions. Rodrigue Belanger ed., Quebec: Editions J'ai VU, 2005; Randolph, Jeanne. Robin Collyer. Calgary: Alberta College of Art, 1990; Smith, Brydon. Boucherville, Montreal, Toronto, London. Ottawa: National Gallery of Canada, 1973; Townsend, Melanie; et. al. CAMPsites. Banff/London: Walter Phillips Gallery/Museum London, 2008;   Wauters, Anne and Huitorel, Jean-Marc. Invitation to the City. Brussels: Brussels 2000 Centre, 2000. Weski, Thomas. click doubleclick. Cologne: Walther Koenig, 2006   Back to top
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