| Periodicals |
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| Adler, Dan. Liz Magor: Susan Hobbs Gallery. Artforum, XLV, No.10(Summer 2007):507; | |
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Balkind, Alvin. Four Places. Vanguard, 6(March 1977):13-15; |
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Campbell, James D. Mario Merz and Liz Magor at Musee d'art contemporain. Artpost, 27, vol.5, no. 2(Winter 1987/88):21- 22; |
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Carr-Harris, Ian. Liz Magor: an Interview. C Magazine, 11(Fall 1986), 56-57; |
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| Dault, Gary Michael. Look closer to grasp Molly's Reach. The Globe and Mail, 12 March 2005; | |
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Feinstein, Roni. Report from Toronto: Opening Doors. Art in America, no.11(November 1994)38-47; |
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Fisher, Jennifer. Identification: An Insider's View. Parachute, 56(Fall 1989)37-38; |
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Gopnik, Blake.’Flaws’ point to artist’s crucial theme: artificiality. The Globe and Mail, 2 September 2000; |
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_____. True to her roots. The Globe and Mail, 16 September 2000; |
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Graziolo, Elio. Aurora Borealis. Flash Art, (October-November 1985):54; |
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Grenville, Bruce. A play of history(Jeu d'histoire); The Power Plant. Parachute, 48(Sept/Oct/Nov 1987):61-62; |
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Guest, Tim. Liz Magor - Sculpture. Canadian Art,(Spring 1986)94; |
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Gumpert, Lynn. Cumulus from America: Places with a past. Parkett, 29(Fall 1991):163-166; |
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Heath, Terrance. A Sense of Place. in Visions: Contemporary Art in Canada, Vancouver: Douglas and McIntrye, 1983, p. 45-77; |
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Huebl, Michael. Kunst, Grenzenlos. Kunstforum International, 73/74(June-August 1984):178-185; |
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Laurence, Robin. Magor’s Stores of Cheetos and Kraft Dinner Speak to Survival. The Georgia Strait, 6-16 March 2000; |
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| _______. On our poisonous pleasures. The Georgia Straight, 8-15 May 2008; | |
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Malbert, Roger. Six Perspectives: Mise en Scene. Vanguard, 11(September 1982):8-13; |
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Mays, John B. Clothes and grass clippings recipe for Magor's metamorphic 'cakes'. The Globe and Mail, 5 April 1980; |
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_______. Installation art wise choice for Venice. The Globe and Mail, 28 January 1984; |
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MacKay, Gillian. Liz Magor. Canadian Art, (Fall 1990):79-83; |
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| McFarlane, Scott Toguri, ed.. Eating Things. Public, 30, Winter 2004; | |
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Milroy, Sarah. A dark humour finds a home. The National Post, 9 June 2000; |
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_______. The elusive prize. The Globe and Mail, 12 February 2000; |
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| _______. Give her shelter. The Globe and Mail, 19 December 2002; | |
| _______. Capturing a castle in the air. The Globe and Mail, 5 April 2003; | |
| ________. Not just another pile of laundry. The Globe and Mail, 24 July 2007; | |
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Monk, Philip. Liz Magor, Four Notable Bakers. Vanguard, 14(May 1984):30; |
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_______. Liz Magor, Equinox Gallery. C Magazine, (September- November 1999):33; |
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Pohlen, Annelie. Highlights of Festival. Artforum, 23(September 1984):103; |
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Pontbriand, Chantal. Parachute, 68(October-December 1992):52-53; |
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Rosenberg, Avis Lang. Liz Magor: Outfitter for Odd Jobs. Vanguard, 6(August-September 1977):7-9; |
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_______. Liz Magor, Working Sculpture. Vanguard, 9(December 1980-January 1981):22-27; |
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Scott, Michael. Sleeping Rough. The Vancouver Sun, 12 May 1999; |
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Shottenkirk, Dena. Notion of Conflict. C Magazine, 47(Fall 1995):42; |
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Stewart, Susan. Vancouver/Liz Magor at the Vancouver Art Gallery. Artmagazine, 12(February-March 1981):56: |
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Tousley, Nancy. Liz Magor. Canadian Art, Spring 2000:70-74; |
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Weiler, Merieke. Venice Times Two. The Art Post, 2(June-July 1984):24-26; |
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Williams, Judy. Liz Magor. Artscanada, 36(August 1979):55. |
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Exhibition Catalogues |
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| Anderson, Shannon. Burrow. Oakville: Oakville Galleries, 2007; | |
| Arnold, Grant; et. al. Liz Magor. Vancouver/Toronto: Vancouver Art Gallery/The Power Plant, 2002; | |
| Augaitis, Daina; Corrin, Lisa; et. al. Baja to Vancouver: The West Coast and Contemporary Art. Seattle/San Diego/Vancouver/San Francisco: Seattle Art Museum/Museum of Contemporary Art San Diego/Vancouver Art Gallery/CCA Wattis Institute for Contemporary Arts, 2003; | |
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Blouin, René and Theriault, Normand. Aurora Borealis. Montreal: Le centre international d'art contemporain, 1985; |
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Bradley, Jessica. Ian Carr-Harris/Liz Magor: Canada XLI Biennale di Venezia. Ottawa: National Gallery of Canada, 1984; |
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| Christie, Claire. Remaking the Real. Toronto: Susan Hobbs Gallery, 2007; | |
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Farrell-Ward, Lorna. Production/Reproduction. Vancouver: Vancouver Art Gallery, 1980; |
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_______, and Watson, Scott. Mise en Scene. Vancouver, Vancouver Art Gallery, 1982; |
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Fischer, Barbara and Holubizky, Ihor. Toronto Sculpture Garden. Toronto: Toronto Sculpture Garden, 1998; |
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Fleming, Marnie and Diamond, Reid. Beaver Tales. Oakville: Oakville Galleries, 2000; |
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Godmer, Gilles and Lussier, Real. Pour La Suite du Monde. Montreal: Musée d'art contemporain, 1992; |
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Graham, Mayo. 1x2: Liz Magor and John McEwen. Calgary: Glenbow Museum, 1983; |
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Grenville, Bruce. Active Surplus: The Economy of the Object. Toronto: The Power Plant, 1987; |
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Jacobs, M.J.. Places With a Past. Charleston, South Carolina: Spoleto Festival, 1991; |
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| Jean, Marie-Josee. Zeitgenoessische Fotokunst aus Kanada. Berlin: Neuer Berliner Kunstverein, 2005; | |
| Krajewski, Sara and Jeffries, Bill. The Mouth and other storage facilities. Seattle/Vancouver: Henry Gallery Association/Simon Fraser University Gallery, 2008; | |
| Landry, Pierre. Histoires des Amériques. Montreal: Musée d'art contemporain de Montréal, 2004; | |
| Lee, Emmy. The Tree: from the Sublime to the Social. Vancouver: Vancouver Art Gallery, 2008; | |
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Mayer, Marc and Bedard, Catherine. Canada, une nouvelle generation. Getigne-Clisson, France: FRAC des Pays de la Loire, 1993; |
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Michael, Linda and Gale, Peggy. Real Fictions: Four Canadian Artists. Sydney, Australia: Museum of Contemporary Art, 1996; |
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Mignot, Dorine. Notion of Conflict: A Selection of Contemporary Canadian Art. Amsterdam: Stedelijk Museum, 1995; |
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Monk, Philip. Liz Magor. Toronto: Art Gallery of Ontario, 1986; |
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Nemiroff, Diana. Canadian Biennial of Contemporary Art. Ottawa: National Gallery of Canada, 1989; |
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Pakassar, Helga; Wallis, Brian and Wood, William. Camera Lucida. Banff: Walter Phillips Gallery, 1989; |
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Salzman, Gregory. Meeting Place. Toronto: Art Gallery of York University, 1990; |
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Tousley, Nancy; Hogg, Lucy; and Shier, Reid. Liz Magor. Vancouver/Toronto: Contemporary Art Gallery/Art Gallery of York University, 2000; |
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| Townsend, Melanie; et. al. CAMPsites. Banff/London: Walter Phillips Gallery/Museum London, 2008; | |
| Watson, Scott; Roelstraete, Dieter; et. al. Intertidal: Vancouver Art and Artists. Antwerp: MuHKA, 2006; | |
Artist's Publications |
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Magor, Liz. Seventeen Books. Toronto: the Artist, 1982; |
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_______. Four Notable Bakers. Toronto: the Artist, 1983; |
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_______ and Morgan, Joey. How to Avoid the Future Tense. Banff: Walter Phillips Gallery, 1991; |
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Writings |
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Magor, Liz. in Toronto: A Play of History (Jeu d'histoire). Toronto: The Power Plant, 1987; |
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_______. Auto Portrait. Instabili. Montreal: Galerie Powerhouse, 1990; |
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_______. Home and Native Land. Texts, #8,(Summer 1992)4-11; |
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_______. in American Visions. Tomassi, Jacob, Mesquita, ed., Amercian Council for the Arts, 1994; |
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_______. White House Paint. Real Fictions: Four Canadian Artists. Sydney, Australia: Museum of Contemporary Art, 1996; |
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_______. Messenger. Toronto: Toronto Sculpture Garden, 1996. |
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