| Periodicals |
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Bailey, Bruce. The Collectors. The National Post, 22 January 2000; |
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Bedard, Catherine. Janice Gurney et Colette Whiten. Parachute, 53(Dec.1988-Feb.1989)33-34; |
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Borsa, Julianna. Colette Whiten at Carmen Lamanna Gallery. Artmagazine, VIII:34(Aug-Sept 1977)40-41; |
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Burnett, David. Some Canadian Women Artists. Artscanada, XXXII:4, 202/203(Winter 1975-76)54-58; |
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Carroll, Nancy. Colette Whiten. Vanguard, IX:5/6(Summer 1980)46; |
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Dault, Gary Michael. Colette Whiten. Artscanada, XXIX:2, 166/168(Spring 1972)42-45; |
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_____. Colette Whiten at Susan Hobbs. The Globe and Mail, 28 May 2000; |
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Feinstein, Roni. Report from Toronto: Opening Doors. Art in America, no.11(November 1994)38-47; |
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Fulford, Robert. Art on the edge of empire. Art News, LXXII:6(Summer 1974)26; |
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Graham, Mayo. Some Canadian Women Artists. Artmagazine, VII:24(Dec. 1975)12-17; |
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Hanna, Deirdre. Whiten's fine Needleworks tests media patterns. NOW Magazine, 6-12 February 1992; |
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Heath, Terrence. Portraits of Ephemerality. Border Crossings, vol.18, no.2, issue 70,(May 1999); |
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Hitzeroth, Connie. Colette Whiten. Artscanada, vol.XXX, no.2(May 1973)45-59; |
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Laing, Carol. Colette Whiten. Parachute, 47(June-Aug 1987)42- 43; |
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MacKay, Gillian. Colette Whiten at Susan Hobbs. The Globe and Mail, 9 January 1999; |
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_____. Poised between activism and art. The Globe and Mail, 13 November 1997; |
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Marks, Laura U.. Colette Whiten: Susan Hobbs Gallery. Artforum, vol.XXXII, no.9(May 1994)108; |
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| McFadden, Jane. WACK!: Art and the Feminist Revolution. Modern Painters, vol.XIX, no.5(June 2007)112; | |
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Rhodes, Richard. Colette Whiten. Artforum (May 1989); |
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Simon, Cheryl. Witness. C magazine, #46(Summer 1995); |
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Taylor, Kate. Women's Work. The Globe and Mail, 21 January 1992; |
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Town, Elke. Prince Charming and the Associated Press: The Needlepoint Work of Colette Whiten. Descant, 59(Winter 1987)80-98; |
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Van Alystyne, Gregory. Colette Whiten, Carmen Lamanna Gallery. C magazine, 14(June 1987)60; |
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Zemans, Joyce. The Sculpture of Colette Whiten. Art Magazine, vol.6, no.19(Fall 1974)16-18; |
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Exhibition Catalogues |
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Baert, Renee. Witness. Vancouver: Presentation House Gallery, 1993; |
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Fleming, Marnie. Colette Whiten: Seducing the Receiver. Oakville: Oakville Galleries, 1995; |
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Graham, Mayo. Some Canadian Women Artists. Ottawa: National Gallery of Canada, 1975; |
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| Heath, Terence and Wyman, Jessica. Colette Whiten and Paul Kipps: Over Taking Over. Lethbridge: Southern Alberta Art Gallery, 2002; | |
| Jenkner, Ingrid and Bissonnette, Meghan. Moral Fibre. Halifax: Mount Saint Vincent University Art Gallery, 2005; | |
| Love, Karen, editor. Facing History: Portraits from Vancouver. Vancouver: Arsenal Pulp Press, 2002; |
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Monk, Philip. Colette Whiten. London: London Regional Art Gallery, 1978; |
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_______. Photographic Inscription: Kunst aus Toronto. Stuttgart, Germany: Institut fuer Auslandsbezeihungen, 1990; |
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Nemiroff, Diana. Canadian Biennial of Contemporary Art. Ottawa: National Gallery of Canada, 1989; |
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Rhodes, Richard. Colette Whiten: New Needleworks. Toronto: The Power Plant, 1992; |
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Westen, Mirjam. Colette Whiten. Herblay, France: Centre d'art Herblay, 1993. |
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