Susan Hobbs Gallery | Robert Wiens

	Periodicals
	Allen, Jan. The iconography of technological war. Queen's Quarterly, vol.103, no.1;
	Armstrong, John. Robert Wiens, Susan Hobbs Gallery. C Magazine, September-November 1998;
	Blendell, Peter. Robert Wiens, Susan Hobbs Gallery. Canadian Art, Fall 2006;
	Carr-Harris, Ian. The New City of Sculpture. Parachute, no.37 (Winter 1984-85);
	Dault, Gary Michael. Robert Wiens, Carmen Lamanna Gallery. Canadian Art, vol.4, no.1 (Spring 1987);
	_______. Robert Wiens at Susan Hobbs Gallery. The Globe and Mail, 22 January 2000;
	_______. Reassembling nature's building blocks. The Globe and Mail, 6 April 2002;
	_______. A stick will never look the same again. The Globe and Mail, 10 January 2004;
	_______. Exhibit A: Awesome Arboreal. The Globe and Mail, 12 May 2006;
	_______. In Wiens' world, you can't see the forest for the trees. The Globe and Mail,19 April 2008;
	Fleming, Martha. Robert Wiens, Mercer Union. Vanguard, vol.9, no.8 (October 1980);
	Goddard, Peter. Of butternuts and burning boats. The Toronto Star, 17 April 2008;
	Gopnik, Blake. Eclectic, electric and eccentric. The Globe and Mail, 24 July 1999;
	Grenville, Bruce. The New City of Sculpture. C Magazine, no.3, 1984;
	Hume, Christopher. AGO's been on a youth kick lately. The Toronto Star, 10 May 1985;
	Jordan, Betty Ann. Carving new meanings from an old standby. The Globe and Mail, 15 August 1998;
	Kuspit, Donald. Free at Last or Why There's Nothing Left to Imitate: The Almost Free Spirit in Toronto Painting and Sculpture. C Magazine, no.4 (Winter 1985);
	MacKay, Gillian. Robert Wiens at Susan Hobbs. The Globe and Mail, 28 February 1998;
	Mays, John Bentley. The flowering of a creative discontent. The Globe and Mail, 17 March 1984;
	_______. Wainio-Wiens show is first harvest reaped from grant. The Globe and Mail, 23 May 1985;
	Randolph, Jeanne. Robert Wiens, YYZ. Vanguard, vol.12, no.3, (April 1983);
	Reid, Stuart. Robert Wiens. Lola, #6, Summer 2000;
	Rhodes, Richard. Toronto, Robert Wiens. ArtForum, (March 1987);
	_____. White Pine Red Pine. Canadian Art, Fall 2000;
	Rothbart, Daniel. A Walk in the Woods. NY Arts Magazine, December 2001;
	Salzman, Gregory. Allegorical Margins. C Magazine, no.7 (Fall 1985);
	Sandals, Leah. Trees to See. National Post, 5 April 2008;
	Schroth, Mary Angela. Canada. Juliet Art Magazine, no.41 (April/May 1989);
	Webb, Marshall. A Journey around the New City of Sculpture. Canadian Art, vol.1, no.2 (Winter 1984);
	Wood, William. The Irony of Power. C Magazine, no.2 (Summer 1984);
	Exhibition Catalogues
	Allen, Jan. Robert Wiens: Desert, Jet. Kingston: Agnes Etherington Art Centre, 1996;
	Barilli, Renato. Anni Novanta: The Nineties. Bologna, Italy: Galeria d'Arte Moderna, 1991;
	Bell Farrell, Carolyn and Fischer, Barbara. Robert Wiens: Recent Sculpture. Oakville: Oakville Galleries, 1993;
	Bradley, Jessica and Nemiroff, Diana. Songs of Experience. Ottawa: National Gallery of Canada, 1986;
	Burnett, David. Perspective '85. Toronto: Art Gallery of Ontario, 1985;
	Cheetham, Mark and Hutcheon, Linda. Remembering Postmodernism: Trends in Recent Canadian Art. Toronto: Oxford University Press, 1991;
	Cheetham, Mark. La Memoire Postmoderne: Essai sur l'art Canadien contemporain. Montreal: Editions Liber, 1992;
	_______. Postmodernism in Recent Canadian Art: Ironies of Memory. Double Talking. ed. Linda Hutcheon. Toronto: ECW Press, 1992;
	Dompierre, Louise. Toronto: A Play of History/Jeu d'Histoire. Toronto: The Power Plant, 1987;
	Falk, Lorne. Continuum: Robert Wiens. Lethbridge, Alberta: Southern Alberta Art Gallery, 1986;
	Hogbin, Stephen. Wood: an Aesthetic and Social Ecology. Owen Sound, Ontario: Tom Thomson Memorial Art Gallery, 1998;
	McGregor, Jennifer. Sensing the Forest. Bronx: Wave Hill Glyndor Gallery, 2001;
	Teitelbaum, Matthew. Robert Wiens: Giving Voice. Windsor: Art Gallery of Windsor, 1992;
	Wallace, Brenda. Sustentation. Longueuil, Quebec: Plein Sud, 1999.
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